In the time it took to get a Wonder Woman film on the screen, we’ve seen:
- Five Spider-Man movies, including a hard reboot after Spider-Man 3
- Nine Batman entries, including Batman v Superman and one version done entirely in LEGO
- Six X-Men movies
- Three Wolverine movies
- Doctor Strange
- 2 Guardians of the Galaxy movies
- Suicide Squad
- Two Kick-Ass movies
- Three misbegotten Fantastic Four flicks
And that isn’t including the terrible Green Lantern experiment with Ryan Reynolds or Jonah Hex, which clocks in at about 80 minutes—including credits.
What the heck took so long? Was it fear? Wonder Woman is one of the most recognizable properties in comics, and arguably the most popular female property. Maybe sexism? The thought that a woman couldn’t open a film like Wonder Woman? I don’t know, but it’s ridiculous it took this long for the world to finally—finally—get a Wonder Woman film. Maybe duds like the Halle Berry starrer Catwoman and Elektra scared off the studio, despite having a pre-Avengers Joss Whedon ready to make a Wonder Woman film (he’s now doing a live-action Batgirl).
But I digress.
Gal Gadot reprises her role of Diana Prince, first introduced in the mess known as Batman v Superman. Instead of moving the DC Universe timeline closer to the next potential mess, Justice League, Wonder Woman moves the action back 100 years to World War I to tell Prince’s origin story. Believing Ares, the God of War, to be responsible for the War to End All Wars, Prince travels to London with superspy Steve Trevor (Chris Pine) to take Ares down and end WWI.
Wonder Woman is far and away the best of the new, interconnected DC Universe films. For starters, it’s competent. That’s a huge step up. There are some truly entertaining sequences in the film, and the chemistry between Gadot and Pine is fantastic. But, it’s also painfully predictable—even character twists are obvious within two minutes of them appearing—and suffers from a third act riddled with bloated CG effects and weak storytelling, like most superhero films. Factoring in the Marvel films, Wonder Woman ranks in the lower half of the recent superhero films to come out.
Wonder Woman almost feels like a moment more than a film. It can truly open the door for not only female-led superhero films, but more women at the helm of these big blockbusters. Director Patty Jenkins is only the second female director to have a budget of more than $100 million to work with, the other being Kathryn Bigelow on K-19: The Widowmaker back in… 2002. The film itself may be hit and miss, but hopefully Wonder Woman will open the door for more unique voices in Hollywood today.